Our season concludes with a week of free performances on the First Church campus, ranging from folk music to gospel and beyond. More details to come!
Jun 21, 12 midnight, First Congregational Church, 2345 Channing Way, Berkeley
Jun 21, 11:45am to 2:45pm, Cheese Board Pizza 1512 Shattuck Ave, Berkeley, CA
Kickin' the Mule plays a variety of jazz- and blues-related genres: New Orleans R&B, Oakland and Chicago blues, Memphis and Motown soul, and Oakland funk.
Jun 21, 4:45pm to 7:45pm, Cheese Board Pizza 1512 Shattuck Ave, Berkeley, CA
Lively Latin and Brazilian jazz
Band members have appeared with a Who's Who of musical luminaries including Tito Puente, The Rippingtons, Linda Ronstadt, Tom Scott, and Winton Marsalis.
Jun 21, 6:30pm to 9:30pm, Cafe Leila, 1724 San Pablo, Berkeley
A rare Bay Area appearance for Brazilian guitarist & composer Chico Pinheiro. Scott Thompson, bass & Rafael Barata, drums.
Jun 21, 8pm to 10pm, Hardymon Hall @ The Jazzschool 2087 Addison Street, Berkeley
For details, click here: https://www.eventbrite.com/e/eefc-balkan-camp-preparty-with-fanfare-zambaleta-and-melez-the-starry-plough-pub-tickets-58760807156
Jun 21, 8pm to 9pm, The Starry Plough Pub - 3101 Shattuck Avenue - Berkeley
FREE - Donations of any size are welcome and greatly appreciated!
Enjoy a lively evening of son jarocho music, dancing, and zapateado- bring your dance shoes and instruments, or just come and enjoy the music and dance! There is no entrance fee, but any monetary donations are accepted in support of programming at La Peña.
Son Jarocho is a lively traditional art form from the southern Mexican state of Veracruz that sits on the coast of the Gulf of Mexico.It is a lyrical and danceable music genre that formed in the melding of three cultures: Arabic-Spanish, African and indigenous Mexican. It is at the same time highly improvised and highly structured-filled with complex poly-rhythms and musical dialogue in its dance, song, poetry and music. The basic instrumentation of the son jarocho includes the jarana jarocha, guitarra de son (both guitar-like instruments) and zapateado (percussive footwork). Regional variations include the harp and various percussive instruments such as quijada, pandero, marimbol or cajón, with the latter two instruments being contemporary additions.
On a communal level, the son jarocho is used to celebrate various life occasions and often speaks of love (including courtship), happiness and the beauties of life as well as the hardships including sadness, loss and death. Hundreds of years old, the son jarocho is a living, contemporary art form that continues to evolve with time and under the influences of trans-cultural exchange and inter-generational dialogue.
Jun 21, 8pm to 11pm,
HowellDevine, the massively talented NorCal trio, became the first blues band Arhoolie Records (Fred McDowell, Lightnin' Hopkins, Big Mama Thornton) signed in 27 years. Triple threat talent Joshua Howell (slide guitars, harmonica, voice) and percussion savant Pete Devine (drums, washboard) plus snappy doghouse bassist Joe Kyle Jr. deftly mix sinuous Delta/country blues with wildly syncopated rhythms to create a rollicking present day sound from the past.
HowellDevine breaks from the norm, providing rich and complex textures integral to the music rather than simple backing for a soloist. The result is a sound which stands in stark contrast to the typical blues heard in bars these days and would more likely be shaking the floors of a Southern juke joint some 70 years ago.
Joshua Howell (Vocals, Guitar, Harmonica)
Within three years of starting harmonica at the age of 14, Joshua was sitting in with many of the San Francisco Bay Area's blues bands. He quickly became the desired house harmonica player in clubs such as Eli's Mile High and Your Place Too, though his under-age status limited his exposure to only those clubs that could circumvent the age restrictions. During this period, he took up guitar, intently focused on learning the techniques of the Mississippi greats such as Fred McDowell, Bukka White, Robert Johnson and RL Burnside. While living in Santa Cruz, Joshua pursued a successful career in guitar making, developing the Howell & Forsyth Guitar Company. Though he continued to focus on playing music and gigging locally, music as a profession took a back seat to lutherie. It wasn't until he moved to Thailand that he dedicated himself entirely to musicianship, taking on over 15 gigs a week as a solo artist. After three years playing professionally in Thailand's mountainous north, Joshua returned to the U.S. and continued to perform in the San Francisco Bay Area. When he crossed paths with drummer and percussionist Pete Devine, they recognized their similar influences and musical sensibilities. Their common approach effortlessly generated a powerhouse combo of inspired and unaffected blues.
Pete Devine (Drums & Washboard)
Originally from Maine, Pete started playing drums when he was six years old. Since his move to the San Francisco Bay Area in 1989, he has gained a national audience while playing with bands such as Bo Grumpus and Devine's Jug Band. From one of the founding members of Lavay Smith & Her Red Hot Skillet Lickers to a 20-year stint with Mal Sharpe's Jazz Band, Pete's musical range is extensive. He also kept busy as drummer for the Jug Town Pirates as well as the gypsy jazz band, Gaucho, for nine years, the latter voted "SF's Best Jazz Band of 2009" by the SF Weekly's reader poll. His ongoing recording career spanning the last 20 years has yielded over 32 records, including a recent recording with Maria Muldaur's Garden of Joy Jug Band, an album that was nominated for a Grammy Award. Pete's unique 'old time' drumming and jug blowing styles have taken him around the country, performing at venues such as SF's Great American Music Hall, SF's Davies Symphony Hall, The Danny Kay Theater in NYC for the JVC Jazz Festival, The Louisville Kentucky National Jug Band Jubilee, The LA Classic Jazz Festival, The SF Jazz Festival, The Scott Joplin Ragtime Festival in Missouri, and the famed Astoria Hotel in NYC, just to name a few.
Joe Kyle Jr. (Upright Bass)
It was during the Great Swing Wars of early-1990s San Francisco, when gigs were plentiful, public cigar smoking was legal, and vintage clothes were still cheap, that Joe was fortunate enough to have been drafted into musical service. Since that time he has become an in-demand player known for his superb feel, musical agility, and adaptability. Joe has been touring and recording with the Waybacks since mid-2001, and in such capacity has shared the stage with a host of notable roots music heroes including Bob Weir, Sam Bush, John Cowan, Joan Osborne, Jerry Douglas, Emmylou Harris, Elvis Costello, Danny Barnes, Gillian Welch and David Rawlings, Grace Potter, Mike Marshall, Darol Anger, Jim Lauderdale and Bela Fleck. He might be the only bassist to have played with Martin Denny, Al Kooper AND Pinetop Perkins, although not at the same time, sadly.
Tickets are $20 and are available in advance at the link below or at the door on the night of the show. Doors open one half hour before show time. We accept cash only at the door (ATMs are nearby).
The Back Room is an all-ages, BYOB (for those 21+) space, dedicated to (mostly) acoustic music of all kinds. Those 21+ are welcome to bring their own adult beverage with no additional corkage fee. Children under 12 are free. If you need more information or have any questions, please call us: #510-654-3808. Thank you for your support!
Jun 21, 8pm to 10pm, The Back Room Music, 1984 Bonita Ave, Berkeley
Brahms gave his 1868 Requiem the title "A German Requiem" because the texts that he chose are in German, from the Luther Bible, not from the traditional Latin Requiem Mass. Brahms himself said that he would happily call his Requiem a "human" Requiem. It is a stunning work that focuses on comfort for the living - "Blessed are they that mourn, for they shall be comforted." Combining Brahms's beautiful writing and well-crafted structure, it's become one of the most popular symphonic choral works in the literature. Our concerts will open with Brahms' Tragic Overture.
Ellen Leslie, soprano
Andrew Pardini, baritone
The soloists are winners of BCCO's Vocal Soloist Competition.
Our concerts are free; donations are always welcome.
Jun 21, 8pm to 10pm, Hertz Hall, on the UC Berkeley Campus
San Francisco native, Maurice Tani, is a "rye-to-romantic" singer-songwriter with seven albums to his credit -the latest being The Lovers Card, released on the Little Village label. With his band, 77 El Deora, Tani has been the source of untold, but exquisite suffering on the Bay Area Americana scene for over 15 years.
Tani uses the term, "Supercalifornigraphic" to describe his particular flavor of Americana. While rooted in country music, Tani's writing is centered on a West Coast perspective. "Though much of my material is based on fictional characters and situations, I still write what I know. I'm not particularly comfortable or interested in the rural imagery of tractors, 4x4s or general agriculture common in much country music. What attracts me most about country is the story telling side of it. My stories are more likely to be centered around an urban experience. I'm a Californian from a large metropolitan area and I write about the things that hold my attention. I think of these songs as a sort of cinema for the blind. Short musical narratives of life on the left coast."
Jun 21, 8pm to 10pm, Freight & Salvage Coffeehouse, 2020 Addison St, Berkeley
Doors at 8:00 pm; Dance lesson at 8:30 pm; Social dance at 9:30 pm - 2:00 am
Tickets are $15 Advance / $20 Day of Show / S15 Students
Bay Area's brand new event series for Latin dance!
Happening third Fridays of the month at Ashkenaz in Berkeley.
Playing the best of Salsa, Bachata, Kizomba, Merengue y mas!
Salsa on1 lesson starting at 8:30pm: In-house dance Instructor: Kathy ReyesSocial dancing 9:30pm-2:00am: Your favorite tunes played by: DJ Migz
It's going to be a party!
Jun 21, 8:30pm to 11:59pm, Ashkenaz Music & Dance Community Center, 1317 San Pablo Ave, Berkeley