Friday, October 5 Raiders of the Lost Ark 1981 / 115 min. / PG / CC
It's 1936. The US government hires archaeologist "Indiana" Jones (Harrison Ford) to find the Ark of the Covenant before Nazi Commander Arnold Toht grabs it for Hitler. The Germans believe the Ark will make their armies invincible. Marion Ravenwood (Karen Black), who is an old love interest of Indy's, joins him in a wildly daring, suspenseful mission to defeat Toht. George Lucas co-wrote the story and co-financed the film. Directed by Steven Spielberg.
Friday, October 12 Who Framed Roger Rabbit? 1988 / 104 min. / PG / CC
In this film, set in 1947 LA, humans and animated cartoon characters ("Toons") co-exist on the screen. When "Toon" Roger Rabbit gets framed for the murder of a businessman who owns Toontown, he hires rumpled Eddie Valiant (Bob Hoskins) to clear his name. Eddie racks up delicious allusions to Noir as he does. Kathleen Turner voices Jessica Rabbit, Roger's partly human wife, and Christopher Lloyd is the villain, Judge Doom. Robert Zemeckis directs.
Friday, October 19 E.T. the Extraterrestrial 1982 / 115 min. / PG / CC
Steven Spielberg directs E.T., a science fiction fantasy. Young Elliott befriends a space alien who accidentally has been left behind by his spaceship's crew. The boy and his siblings decide to hide E.T. until he can be rescued. As Elliott begins to experience a psychic connection with E.T., US government scientists start to hunt E.T. for their own purposes. At the same time, Elliott and E.T. fall ill. Without a doubt, this is one of the most beloved films of all time.
Friday, October 26 The Shining 1980 / 146 min. / R / CC
Aspiring writer Jack Torrance (Jack Nicholson) accepts a job as winter caretaker at the isolated Overlook Hotel in Colorado's Rocky Mountains. His wife Wendy (Shelley Duvall) and pre-school age son Danny (Danny Lloyd) go with him.. Jack hears the disturbing story that a former caretaker had gone mad while there, murdered his family and killed himself-but keeps it to himself. With six months ahead of them, they settle in, cut off from the world.
November 2018 On-Screen Chemistry Before 1950
Friday, November 2 Swing Time 1936 / 103 min. / NR
Small town vaudevillian Lucky Garnett (Fred Astaire) is a no-show for his own wedding, but he still hopes to marry his girl. He seeks the wealth he thinks he needs in New York City, where he meets Penny (Ginger Rogers), a dancing instructor. It's a big conflict for Lucky, but the starstruck two form a successful dance act...and fall for each other. Arguably, Swing Time has the most complex dancing and the most plausible romance in the Astaire/Rogers franchise.
Friday, November 9 To Have and Have Not 1944 / 100 min. / NR
Based on the Ernest Hemingway novel and directed by Howard Hawks, this is a romantic adventure drama that centers on Harry Morgan (Humphrey Bogart), a fishing boat captain in the Vichy France-controlled colony of Martinique. A very young Lauren Bacall plays Slim, a steamy American singer who seduces Morgan ("You know how to whistle, don't you?") When Morgan reluctantly agrees to use his boat to rescue Resistance fighters, will Slim stand by him?
Friday, November 16 Adam's Rib 1949 / 101 min. / NR
Married couple Garson Kanin and actress Ruth Gordon wrote the screenplay for this classic comedy. It's about married lawyers (Spencer Tracy and Katharine Hepburn) who face off as prosecutor and defense attorney in the trial of Doris Attinger (Judy Holliday) for the attempted murder of her two-timing husband (Tom Ewell). Holliday is priceless. Directed by George Cukor, Adam's Rib is # 7 on the American Film Institute's Top Ten List of Romantic Comedies.
Friday, November 23 LIBRARY CLOSED-Day After Thanksgiving
SPECIAL PRESENTATION IN APPRECIATION OF NATIVE AMERICANS
Friday, November 30 The New World 2006 / 150 min. / PG-13
Terrence Malik ("The Tree of Life") wrote and directed this film depicting the 1607 founding of Jamestown Colony in Virginia. Yes, Captain John Smith (Colin Farrell) travels upriver, is captured and held prisoner by Chief Powhatan. Smith and the Chief's daughter, Pocohontas (Q'orianka Kilcher), do fall in love. But the filmmaker chooses to focus on the natural world's deep, dreamlike impact on them, not ephemeral chemistry. Their dream does not last, not for them, not for their "tribes." In 2006, The New World opened to mildly positive reviews, but it has grown in stature since then. Emmanuel Luzbeki's brilliant cinematography is often cited as its crowning achievement. Mick LaSalle has called the film a masterpiece and the best film of its decade. Roger Ebert 4-starred it from the start.
Feb 1, 3pm to 5pm, 2090 Kittredge St. (at Shattuck), Berkeley, CA 94704
TOSH is a memoir of growing up as the son of an enigmatic, much-admired, hermetic, and ruthlessly bohemian artist during the waning years of the Beat Generation and the heyday of hippie counterculture. A critical figure in the history of postwar American culture, Tosh Berman's father, Wallace Berman, was known as the "father of assemblage art," and was the creator of the legendary mail-art publication Semina. Wallace Berman and his wife, famed beauty and artist's muse Shirley Berman, raised Tosh between Los Angeles and San Francisco, and their home life was a heady atmosphere of art, music, and literature, with local and international luminaries regularly passing through.
Tosh Berman is a writer, poet, and publisher of TamTam Books. As a publisher, he focused on post-war French figures such as Boris Vian, Guy Debord, Serge Gainsbourg and French gangster Jacques Mesrine, as well as publishing Sparks (Ron Mael & Russell Mael) and Lun*na Menoh. His previous book Sparks-Tastic (2013) is a combination of travel journal and thoughts on the band Sparks. His book of poems The Plum in Mr. Blum's Pudding (2014) came out through Penny-Ante Editions. He authored the introduction to Wallace Berman: American Aleph from the Michael Kohn Gallery in 2016.
Feb 1, 7pm to 8:30pm, Basement, Moe's Books 2476 Telegraph Ave.
Endings and Beginnings: Music of Shostakovich and Schumann with special guest Stephen Prutsman
A juxtaposition of one of Shostakovich's darkest string quartets, intended to be his final work and personal musical epitaph, with Schumann's heroic piano quintet, the first major work of a genre which would become a fixture of the chamber music repertoire. Program: Shostakovich String Quartet No. 8 and Schumann Piano Quintet
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Feb 1, 7:30pm to 9pm, Berkeley Piano Club, 2724 Haste St, Berkeley