Eclectic mix of funk, rock, afro, jazz and world tinged grooves.
11:45am to 2:45pm, The Cheeseboard Pizza, 1512 Shattuck Ave, Berkeley
Friday, September 21 Blue Collar 1978 / 114 min. / R / no CC
Three Detroit auto workers (Richard Pryor, Harvey Keitel & Yaphet Kotto) are buddies on and off work. They feel trapped between big industry and their do-nothing, corrupt union. They hit on a plan to rob the safe in the union office, leading to complications that lay bare the terrible predicament of working people. Written and directed by Paul Schrader (writer of Taxi Driver), who delivers an authentic, uncompromising ending. It's a very powerful film.
3pm to 5pm, 2090 Kittredge St. (at Shattuck)
Berkeley, CA 94704
Kickin' the Mule plays a variety of jazz- and blues-related genres: New Orleans R&B, Oakland and Chicago blues, Memphis and Motown soul, and Oakland funk.
4:45pm to 7:45pm, The Cheeseboard Pizza, 1512 Shattuck Ave, Berkeley
Hailing from Montreal, Canada, Arcade Fire are a six piece band that have won two BRITs, two Grammys, and have released three records over the last ten years.
Their breakthrough album Funeral (Rough Trade, 2004) was nominated for a Grammy for Alternative Album of The Year and as the decade closed Funeral was chosen by Rolling Stone as the #1 album of the `00s. The album also featured in numerous `Best of the Decade' polls around the world including NME, Q, Pitchfork, The Guardian and Mojo. Arcade Fire's platinum-selling sophomore album Neon Bible (Sonovox, 2007) debuted at #2 in the UK and USA. Recorded in Québec, New York, Budapest and London, it was released to critical acclaim with the NME calling them ``...the first truly 21st century band". Q named Neon Bible album of the year in 2007, and it was nominated for Best Alternative Music Album at the Grammys. 2010's The Suburbs (Sonovox) debuted at #1 in seven countries including UK, the United States and Canada and the album has since gone double platinum in Canada; platinum in the UK and Ireland; as well as gold in France, Belgium, Denmark, Portugal, Australia and the US.
6pm to 7pm, Hearst Greek Theatre
Readings from local poets Barbara Jane Reyes, the Manila-born winner of a James Laughlin award and author of Invocation to Daughters; Ingrid Rojas Contreras, originally from Bogotá, book columnist for KQED and author of Fruit of the Drunken Tree; Maw Shein Win, first poet laureate of El Cerrito, former artist in residence at the Headlands Center for the Arts, and author of Invisible Gifts, Poems; and Vanessa Hua, a San Francisco Chronicle columnist, California Book Award nominee, and author of the novel A River of Stars.
6pm to 7pm, Berkeley Art Museum and Pacific Film Archive
6:30pm to 9:30pm, Cafe Leila, 1336, 1724 San Pablo Ave, Berkeley
7pm to 9pm, Caffè Chiave, 2500 San Pablo Ave, Berkeley
The Moore Brothers
Since releasing Murdered By The Moore Brothers (2006) the brothers continue to perform for their small but ever increasing following in the California Bay Area. Luckily an assortment of more successful artists began introducing the Moore's to a broader audience. In December 2006 Kristin Hersh hand-picked the Moore Brothers to open for a Throwing Muses reunion concert at the Great American Music Hall. In the Summer of 2007, Joanna Newsom invited the brothers to appear with her at a string of European venues, including a night at the Royal Albert Hall warming the crowd for Joanna and legendary British folkie Roy Harper. Recently, Thom and Greg relocated to Grass Valley, Ca, where they are busy writing songs for their sixth release, tentatively titled Who Are The Moore Brothers?
Some Professional Help:
Some Professional Help's self-titled debut EP explores different angles of orchestral pop through the lens of indie rock & underground folk, guiding listeners through soundscapes of horns, strings, and thumping percussion. At times it feels like a well-curated mixtape for a lover; a little Bright Eyes here, some Jonathan Richman there, a nod to the Mountain Goats...Each of the 6 tracks sound like a different band because each track is a different band, albeit with the same singer/band leader.
Listen to the radio and it's obvious guitar music is on the cultural backburner at the moment. The music community has a thirst for new sounds, drowning themselves in 808's and synths in the search for pop perfection. What they don't know is perfection doesn't live in a drum machine. Pop perfection is born from an orchestra, and Scott Alexander's non-monogamous collective Some Professional Help is here to usher it in.
Alexander calls the EP "nonrepetitive pop." Foregoing pop music's conventional verse-chorus-verse structure, Alexander's tunes fall more in line with the wandering movements of an orchestral arrangement. "Musical structure evolved pre-recording, pre-notation," he explains. "So things had to be repetitive. It was a mnemonic device. That's why we have repetition. And when composers started notating music so performers could just read the notes, classical music developed, which is significantly less repetitive."
Some Professional Help navigates a complex maze of sounds, each instrument selected with as much attention to detail as each note. "That's how I think about songs. Not every song needs guitar, bass, and drums," says Alexander. "As much as I love bassoon it doesn't work on every song, the same as any other instrument."
"I started thinking about the way theater companies work," explains Alexander, "The theater will have its regular company, but not every member of the company is in every show."
Fans of weird pop, Nana Grizol, Magnetic Fields and They Might Be Giants owe it to themselves to check out this underground pop quasi off-Broadway musical. These six songs are just the start of a long run of pop perfection.
Brian Kenney Fresno
Born in Oakland, Ca., raised in the cultural vacuum of the central San Joaquin Valley, Brian has extracted the Essence of Fresno (tm), and made it smell good (hence the surname). Having already learned to play the guitar and violin by ear, in 1983 Brian found his musical destiny in the Chapman Stick, a new instrument only 8 years old.
Moved by the power and the potential of the instrument, he began an ongoing formal study of music theory and composition.
Finding that boring, he threw that all away and borrowed techniques from sports, comedians, magicians and other performers that allowed him to develop his own uncommon vision of entertainment.
For details, link here: https://www.eventbrite.com/e/the-moore-brothers-with-some-professional-help-and-brian-kenney-fresno-the-starry-plough-pub-tickets-49140220723
8pm to 10pm, The Starry Plough Pub - 3101 Shattuck Avenue - Berkeley, CA 94705
West Grand Brass Band (WGBB) is a group of 6 talented independent musicians that combines the Dixieland brass band tradition with modern musical genres and sounds. Their music takes the form of an ever changing mix of traditional songs, re-imagined covers, and genre-expanding originals. They developed their sound while busking at Lake Merritt in Oakland, CA, and now perform at a wide variety of events and venues around the San Francisco Bay Area.
8pm to 11pm, Jupiter, 2181 Shattuck Ave, Berkeley
Earl has been crafting his style since the 1970's, playing with Soul Syndicate, one of the top Jamaican reggae session bands, having recorded with Bob Marley as well. Our current lineup consists of a 5-piece ensemble of Earl Zero on vocals, Luna Fuentes-Vaccaro on drums, Jon Robin Nichols on rhythm/lead guitar, Nicholas James Lyon-Wright on bass, and Michael Solomon on keys. Earl's numerous songs may be found on Spotify, iTunes, as well as YouTube. His latest album, Roots and Romance, is available for purchase online.
Junior Reggae Collage for Press (flat).jpg
Junior Reggae is a Bay Area instrumental ska/dub/reggae quartet. Influences range from classic Skatalites recordings of the 1960s to the "Far East Sound" of Augustus Pablo, 1970s dub innovations of Lee "Scratch" Perry and King Tubby and contemporary time-stretching beat making strategies in hip-hop production. The band was founded by bassist and multi-instrumentalist Rob Ewing (Electric Squeezebox Orchestra, Brass Magic) along with longtime collaborator, drummer and composer Jason Levis (Joseph's Bones, duo B). Building up from the bass and drums foundation, the duo enlisted keyboardist Steven Blum (Bells Atlas, Electric Squeezebox Orchestra) working as a trio for some time before adding the final member of the group, trumpeter Max Miller-Loran (Invisible Inc., Brass Magic). The group is currently finishing its debut album, scheduled for release in Fall 2018.
Doors open 7:30pm / Show at 8pm
Tickets are $15 in Advance / $18 Day of Show
Buy Tickets Here
8pm to 11:30pm, Ashkenaz Music & Dance Community Center, 1317 San Pablo Ave, Berkeley
David Milnes, music director
BARTá»K Miraculous Mandarin
Jennifer HIGDON Blue Cathedral
BRAHMS Symphony No. 2
8pm to 9pm, Hertz Concert Hall
Saxophonists and clarinetists Peter and Will Anderson will be joined by the Parisian virtuoso guitarist Felix Lemerle, performing American Songbook gems, Brazilian bossa novas, Afro-Cuban rhythms, New Orleans jazz hits, and their own original works. They will draw from the songbooks of George Gershwin, Cole Porter, Duke Ellington, Benny Goodman, and Richard Rodgers.
Band Members and Instrumentation:
Peter Anderson - tenor & soprano sax, clarinet;
Will Anderson - alto sax, clarinet, flute;
Felix Lemerle - guitar
"Virtuosos on clarinet and saxophone" (New York Times), identical twin brothers and Washington D.C. natives Peter & Will Anderson are are known for their unique renditions of classic jazz songs and innovative original music. Graduates of The Juilliard School and endorsees of Selmer and D'Addario products, the Andersons have performed with the Lincoln Center Jazz Orchestra, Village Vanguard Orchestra, Jimmy Heath Big Band, Wycliffe Gordon, Cecile McLorin Salvant, Paquito D'Rivera and Bob Wilber, and have been featured soloists live on Garrison Keillor's Prairie Home Companion. Peter and Will have headlined at The Blue Note, Jazz at Lincoln Center, The Kennedy Center, and the New Orleans Jazz Festival. They've toured in Japan, the United Kingdom, over 40 U.S. States, and have been featured five times in NYC's famed "Highlights in Jazz" series, alongside Lou Donaldson, Ken Peplowski, and Warren Vache. They've lectured at Temple University, Xavier University, University of South Florida, University of Central Oklahoma, Florida State University, Ohio State University, and Michigan State University. The Anderson's debut release from 2012, Correspondence, features Kenny Barron and was listed in Vanity Fair magazine alongside Miles Davis in "Four New Releases to Make You Love Jazz." The Washington Post called their music, "imaginatively unfolding in ways that consistently bring a fresh perspective to classic jazz." Their newest album, Deja Vu, features Albert "Tootie" Heath and was called "a burner that reveals the band's cohesiveness and spirit" by JazzTimes.
Facebook Link: https://www.facebook.com/peterandwillandersonTwitter Link: http://www.twitter.com/peterandwill
Instagram Link: https://www.instagram.com/peterandwill/
Other Social Media Link: https://www.patreon.com/peterandwillanderson
8pm to 10pm, Rendon Hall/Fiddler Annex @ California Jazz Conservatory 2040 Addison Street, Berkeley
FREE -- Donations of any size are welcome and greatly appreciated!
Enjoy a lively evening of son jarocho music, dancing, and zapateado- bring your dance shoes and instruments, or just come and enjoy the music and dance! There is no entrance fee, but any monetary donations are accepted in support of programming at La Peña.
Son Jarocho is a lively traditional art form from the southern Mexican state of Veracruz that sits on the coast of the Gulf of Mexico.It is a lyrical and danceable music genre that formed in the melding of three cultures: Arabic-Spanish, African and indigenous Mexican. It is at the same time highly improvised and highly structured-filled with complex poly-rhythms and musical dialogue in its dance, song, poetry and music. The basic instrumentation of the son jarocho includes the jarana jarocha, guitarra de son (both guitar-like instruments) and zapateado (percussive footwork). Regional variations include the harp and various percussive instrum (View Full Event Description Here: https://lapena.org/event/fandango-jarocho-jam-sessio/2018-05-18/)
8pm to 11pm, 3105 Shattuck Ave, Berkeley, CA, 94705, United States
The Hard Times Shows Presents
Give You Nothing
+ $2 Annual Gilman Membership
Upcoming shows info thehardtimes.net/live-events/
8pm to 9/21 12 midnight, 924 Gilman, 924 Gilman Berkeley
From China to Italy, and all over the U.S., Dirty Cello brings the world a high-energy and unique spin on blues and bluegrass. Led by vivacious cross-over cellist Rebecca Roudman, Dirty Cello is cello like you've never heard before. From down-home blues with a wailing cello to virtuosic stompin' bluegrass, Dirty Cello is a band that gets your heart thumping and your toes tapping!
"Dirty Cello's music is all over the map: funky, carnival, romantic, sexy, tangled, electric, fiercely rhythmic, and textured, and only occasionally classical." - Lou Fancher, Oakland Magazine
"The band plays every style imaginable, and does some fantastic covers. (Their rendition of 'Purple Haze' is incredible.) But what is most spectacular about them is hearing the depth of soul in Roudman's playing-it goes beyond what most people would expect from the instrument. She plays it with so much heart, you'll wonder why more bands don't have a cellist." - Good Times Santa Cruz
"The group seamlessly careens from blues to bluegrass and rock in a way that really shouldn't make sense but somehow does." - LA Times
Tickets are $20 and are available in advance at the link below, or you may purchase your tickets at the door the night of the show. Doors open one half hour before show time. We accept cash only at the door (ATMs are nearby).
The Back Room is an all-ages, BYOB (for those 21+) space, dedicated to (mostly) acoustic music of all kinds. You are welcome to bring your own adult beverage with no additional corkage fee. If you need more information or have any questions, please call us: #510-654-3808. Thank you for your support!
8pm to 10pm, The Back Room, 1984 Bonita Ave, Berkeley
Hosted by Corey Harris, a MacArthur Grant recipient, and featuring renowned roots musician Guy Davis, True Blues chronicles the extraordinary living culture of the blues in an evening of music and conversation. In bringing the True Blues film to the concert stage, the True Blues concert vividly brings to life this crucial wellspring of American music.
Corey Harris was featured in Martin Scorcese's "The Blues: A Musical Journey," which followed Corey on a roots journey to West Africa.
Guy has often followed in the Thespian footsteps of his parents, Ossie Davis and Ruby Dee, most recently in the Broadway revival of "Finian's Rainbow," and earlier in "Mulebone" and "Robert Johnson: Trick the Devil."
Blues is at the center of their artistry, and the blues takes center stage in True Blues, the concert.
Corey Harris was born in Denver, Colorado to parents from Texas and Kentucky. He is a guitarist, vocalist, songwriter and band leader who has carved out his own niche in blues. A powerful singer and accomplished guitarist, he has appeared at venues throughout the North America, Europe, Brazil, The Caribbean, West Africa, Asia, Australia and New Zealand.
He began his career as a New Orleans street singer, travelling throughout the southern U.S. In his early twenties he lived in Cameroon, West Africa for a year, which had a profound effect on his later work. He has recorded many old songs of the blues tradition while also creating an original vision of the blues by adding influences from reggae, soul, rock and West African music. His 1995 recording, Between Midnight and Day, is a tribute to the tradition of acoustic blues. Subsequent recordings, such as Greens From the Garden (1999), Mississippi to Mali (2003), and Daily Bread (2005) show Harris' maturation from interpreter to songwriter. Some of his imaginative compositions are marked by a deliberate eclecticism; other works stay true to the traditional blues formula of compelling vocals and down-home guitar. With one foot in tradition and the other in contemporary experimentation, Harris is a truly unique voice in contemporary music.
He has performed, recorded, and toured with many of the top names in music such as BB King, Taj Mahal, Buddy Guy, Henry Butler, R.L.Burnside, John Jackson, Ali Farka Toure, Dave Mattews Band, Tracy Chapman, Olu Dara, Wilco, Natalie Merchant, and others. His additional recordings include Fish Ain't Bitin' (1996), Vu-Du Menz (with Henry Butler, 2000), Downhome Sophisticate (2002), Zion Crossroads (2007), and blu black (2010).
In 2003 Harris was a featured artist and narrator of the Martin Scorcese film, "Feel Like Going Home," which traced the evolution of blues from West Africa to the southern U.S. In 2007, he was awarded a $500,000 MacArthur Fellowship - commonly referred to as a "genius award" - from the John D. and Catherine T. MacArthur Foundation. The annual grant, which recognizes individuals from a wide range of disciplines who show creativity, originality and commitment to continued innovative work, described Harris as an artist who "forges an adventurous path marked by deliberate eclecticism." That same year, he was also awarded an honorary Doctor of Music degree from Bates College, in Lewiston, Maine.
Whether Guy Davis is appearing on "Late Night With Conan O'Brien" or nationally syndicated radio programs such as Garrison Keillor's, "A Prairie Home Campanion", "Mountain Stage" or David Dye's,"World Café"., in front of 15,000 people on the Main Stage of a major festival, or teaching an intimate gathering of students at a Music Camp, Guy feels the instinctive desire to give each listener his 'all'.
His 'all' is the Blues.
The routes, and roots, of his blues are as diverse as the music form itself. It can be soulful, moaning out a people's cry, or playful and bouncy as a hay-ride.
Guy can tell you stories of his great-grandparents and his grandparents, they're days as track linemen, and of their interactions with the infamous KKK. He can also tell you that as a child raised in middle-class New York suburbs, the only cotton he's picked is his underwear up off the floor.
He's a musician, composer, actor, director, and writer. But most importantly, Guy Davis is a bluesman. The blues permeates every corner of Davis' creativity.
8pm to 9pm, Freight & Salvage Coffeehouse, 2020 Addison Street, Berkeley
8:30pm to 9:30pm, Cornerstone, 2367 Shattuck Ave (Enter On Durant), Berkeley, CA, 94704