Eclectic mix of funk, rock, afro, jazz and world tinged grooves.
11:45am to 2:45pm, The Cheeseboard Pizza, 1512 Shattuck Ave, Berkeley
About Workers' Movements
Friday, September 7 Matewan 1987 / 135 min. / PG-13 / CC
It's 1920 in the town of Matewan, West Virginia. When Stone Mountain Coal Company cuts the wages of rebellious coal miners and brings in African American replacements, a United Mine Workers man (Chris Cooper) arrives to organize a union. In response, the company hires private detectives to oppose the miners and to set blacks and whites against each other. Tensions boil over, leading to a historic battle. James Earl Jones plays the character who leads black miners.
3pm to 5pm, 2090 Kittredge St. (at Shattuck)
Berkeley, CA 94704
Kickin' the Mule plays a variety of jazz- and blues-related genres: New Orleans R&B, Oakland and Chicago blues, Memphis and Motown soul, and Oakland funk.
4:45pm to 7:45pm, The Cheeseboard Pizza, 1512 Shattuck Ave, Berkeley
6:30pm to 9:30pm, 1724 San Pablo Ave, Berkeley
7pm to 9pm, Caffè Chiave, 4045 Piedmont Ave, Oakland, CA 94611, USA
On his sophomore album Good Thing, Leon Bridges' voice breaks into the debut single "Bad Bad News" in much the same way the artist broke into the public eye in 2015 - forcefully, honestly, and all at once. "They tell me I was born to lose," he sings with characteristic soulfulness, "but I made a good, good thing out of bad, bad news."
The lyric is a fitting way to sum up a whirlwind ascent for the young artist. In 2015, Bridges' first album, Coming Home, surprised the music industry by debuting at #5 on the Billboard Top 200. Only months prior, he had been playing sparsely attended open mics in Dallas-Fort Worth after work washing dishes at a local restaurant. In a span of three years, Coming Home would take Leon to the White House to perform for former President Obama, see him on the stage of Saturday Night Live and earn him nominations for two Grammy Awards including Best R&B Album. The debut album has gone on to sell over 500,000 records (certified RIAA Gold) and has been streamed 350 million times and Leon now regularly sells out 10,000-person capacity rooms in cities around the world.
7pm to 8pm, Hearst Greek Theatre
West Coast Worship, Day 2!
[Los Angeles, CA]
[Berkeley, CA // Asian Man Records]
[Oakland, CA // Slang Church]
Doors 7:30pm // Music 7:45pm
$10 + $2 Gilman Membership
Breakfast will be served
924 Gilman Street, Berkeley, California 94710.
An All Ages DIY, Volunteer Run, 501(c)(3) Nonprofit, Music & Art Community Space Since 1986.
7:30pm to 11:59pm, 924 Gilman, 924 Gilman St, Berkeley
Sam Rudin, who is of course the creator and owner of The Back Room, is also one of the most exciting pianists you are ever likely to hear. Sam attacks and caresses the keyboard, romping through the whole range of 20th century American music. He can evoke the spirit of Fats Waller, Oscar Peterson, Mose Allison and Jerry Lee Lewis...sometimes all at the same time. He is also a compelling vocalist whose rough-hewn voice conveys both drama and humor.
Rudin's first gig under his own name as a bandleader came when he was 24 and it proved to be ill-fated. He and his group had been hired to play on a cruise ship. They'd been at sea only a day when a hurricane struck off the North Carolina coast, destroying all of the band's equipment.
After that incident, some of Rudin's musician friends, referring also to his high-energy, can't-sit-down performing style, started calling him Hurricane Sam. Eventually he embraced the moniker and launched a career as a solo performer, earning a reputation for bringing the rhythmic intensity of an entire band, and for utilizing every possible genre of American music "from blues to be-bop and from ragtime to rock & roll," as some early publicity put it. When he formed a band several years later to concentrate on that blues/jazz borderline, they were "Hurricane Sam and the Hot Shots."
From 1990 to 2008, the band could be found in clubs, concerts, and jazz and blues festivals throughout the state, and was a particular fixture at Berkeley's late, lamented Anna's Jazz Island. But the financial troubles of 2008 made the festival gigs a lot harder to find, and Anna's closed down, and other life events intervened...so Sam started performing less and less, and the band not at all, and Sam started thinking about the ideal music venue, and wouldn't it be nice if he could put something like that together.
And now here we are, years later, and The Back Room is a reality. It is definitely time for the Return of Hurricane Sam & the Hotshots!
And who are these Hotshots?
Jeff Ervin (Sax)
Years ago, Jeff was playing classic rhythm & blues with the Zazu Pitts Memorial Orchestra. More recently, he has been touring the West Coast and Europe with the classic swing of Stompy Jones. Along the way he has recorded with Bill Withers and Taj Mahal, among others. He's a versatile pro, but more than that-Jeff knows how to wail. When he steps up to the mike he blows the house down, and there are plenty of folks who say he is the most exciting saxophonist they've ever seen.
Jimmy Hobson (Drums)
Jimmy spent his early years carving out a name for himself in the highly competitive world of Los Angeles recording sessions. He earned several Gold records there, and his long and varied list of credits includes Billy Preston, Hall & Oates, Evelyn "Champagne" King and even Celine Dion. When he came to the Bay Area, he joined Tom Rigney in the Sundogs, which subsequently became nationally known for their blend of zydeco and rock.
Steve Evans (Bass)
One of the most sought-after and respected bass players in Northern California, Steve is best known in the blues community, but is equally comfortable in jazz, pop, and folk settings. He has toured with with Charlie Musselwhite, Bob Weir, Joan Baez, Big Mama Thornton, Coco Montoya, Elvin Bishop and Chris Cain. For many years he anchored the band for internationally-known guitar great Roy Rogers. And he is a founding member of Hurricane Sam & the Hotshots!
Tickets are $15 in advance and $20 at the door. Advance tickets are available at the link below, or you may purchase your tickets at the door the night of the show. Doors open one half hour before show time. We accept cash only at the door (ATMs are nearby).
The Back Room is an all-ages, BYOB (for those 21+) space, dedicated to (mostly) acoustic music of all kinds. You are welcome to bring your own adult beverage with no additional corkage fee. If you need more information or have any questions, please call us: #510-654-3808. Thank you for your support!
8pm to 10pm, The Back Room, 1984 Bonita Ave, Berkeley
While recent shows have featured special guests, this time out we feature the band qua band, so you can hear these people stretch out playing atmospheric originals, big band funk, Morchified standards and Brazilian jewels.
Band Members and Instrumentation: Saxes: Tim Devine, Dick Mathias, Dave Tidball, Guido Fazio, Charlie Keagle; Trumpets: Brad Catania, Walt Beveridge, Rachel Doolittle, Ian Carey; Trombones: Derek James, Dave Martell, David Otey, Richard Lee; Piano: Laura Klein; Bass: Karl Hartmann; Drums: Kelly Fasman; Director, Lone Arranger and guitar: Tony Corman
Group Bio: The Morchestra is a Berkeley-based jazz orchestra that plays big band jazz filtered through half-vast musical midden that is the mind of arranger and composer Tony Corman, a mid-century East-Coaster long resident in the Bay Area. The players in the band are Bay Area stalwarts, fine professionals all, and the material is a rich mix of standards. The spirit is one of sophisticated fun, enjoyable for both the deeply initiated jazz listener and civilians who simply love music in all its positive manifestations.
Facebook Link: https://www.facebook.com/morchestra/
8pm to 9pm, California Jazz Conservatory 2087 Addison St, Berkeley
Playing covers and original tunes ranging from Motown to contemporary pop, Mama BRD blends soul, R&B, and rock with a singer-songwriter aesthetic. Whether it's with a delightful harmony or a tasty guitar lick, the trio offers a full and dynamic sound that lends itself to both intimate and boisterous environments. Mama BRD is comprised of East Bay natives Austin Prince (lead vocals/rhythm guitar), Andrew Harris (rhythm/lead guitar), and Phil Stein-Webber (drums/vocals).
For details, click here: https://www.eventbrite.com/e/mama-brd-the-starry-plough-pub-tickets-49236962079
8pm to 11pm, The Starry Plough Pub - 3101 Shattuck Avenue - Berkeley
Linda Tillery's career began in 1967 as lead singer of the Berkeley based, psychedelic soul band, Loading Zone. Since those early days she has collaborated as vocalist and percussionist on more than eighty recordings with the likes of Santana, Huey Lewis and the News, The Whispers, Taj Mahal, Kenny and Pete and Sheila Escovedo. She was both artist and producer at Olivia Records, was a founding member of Bobby McFerrin's Voicestra, and founded Linda Tillery and the Cultural Heritage Choir. Linda's journey is a true representation of the Bay Area music scene - through psychedelic 60's soul, groundbreaking 70's activism, 80's R&B glitz, numerous cross cultural collaborations and since 1990, her exploration into the roots of the African American music experience. Now, in 2018, she is at the height of her musical powers, continuing her adventures in sound, and exploring what it means to be a local legend.
Hills to Hollers
Hills to Hollers
From the hills of Bluegrass to the hollers of the African-American musical experience, Hills to Hollers delves deep into the rich history of both white and black musical traditions from the American South. This powerhouse trio of Laurie Lewis, Linda Tillery, and Barbara Higbie, features soaring three-part harmonies, unmatched musicianship, and soulful performances of both classic and original southern music.
Venezuelan Music Project
Jackeline Rago: Musical Director, Lead Vocals, Strings, Percussion
Francy Hernandez Crowley: Lead Vocals
Jimmy Kansau: Lead Vocals
Anna-Maria Violich: Lead Vocals
Omar Ledezma Jr.: Percussion, Lead Vocals,
Donna Viscuso: Flute, Alto Sax
Sam Bevan: Bass,
Michaelle Goerlitz: Drums
The Cultural Heritage Choir
Linda Tillery and the The Cultural Heritage Choir is a Grammy Â© nominated, percussion driven, vocal ensemble whose mission is to help preserve and share the musical traditions of the African Diaspora with particular emphasis on music of the Southern United States. We connect this music to its West African and Caribbean origins.
Since 1992, Linda Tillery and the Cultural Heritage Choir, have become world renowned for their breathtaking performances and commitment to the authenticity of African-American roots music and music from the African diaspora. Their vocals are soulful and germane, their rhythms are a fusion of southern grit and carribean heat!!
The groups first collaboration with veteran performers Taj Mahal and Eric Bibb titled "Shakin' A Tailfeather," was nominated for a Grammy  and their second collaborative effort "Hippity Hop," was awarded a Parents Choice Award (2000). The group's (2003) recording titled "Say Yo' Business", was nominated for a California Music Award.
If you would like to delve deeply into the diverse resources of African-American roots music and learn the tradition of call and response and the rhythms that drive this music and give it vitality, the Cultural Heritage Choir will teach you how to approach singing with the ears, eyes and the heart. Learn to sing Work Songs, Spirituals, Children's Play Songs, Field Hollers, Moans, Ring Shouts, Plantation Dances and a little bit of Bomba!
The cultural heritage choir is Linda Tillery, Rhonda Benin, Tammi Brown, Bryan Dyer, Zoe Ellis and Javier
is the West Coast's most rockin'-est purveyor of klezmer and old-world party music. Formed in 2001, the group plays wild, soulful dance music at concerts, festivals and jewish lifecycle events throughout the United States. We've performed with Joan Baez, the Oakland Symphony, the Oakland Interfaith Gospel Choir and Frank London, Linda Tillery, Jewlia Eisenberg, Nils Frykdahl, Kitka, Rumen Shopov, and many other great artists.
Kugelplex has received awards from the Zellerbach Family Foundation and San Francisco Friends of Chamber Music, and has been the klezmer-band-in-residence with the Oakland Symphony for the past 10 years.
The ensemble features an all-star cast of Bay Area virtuoso musicians. Everyone in the ensemble tours internationally, performs/records with a wide range of bands, and then comes together as Kugelplex to play this music that we so deeply love. It is our mission to keep this old-world klezmer tradition thriving into the 21st century and beyond...
MC Diane Amos
Diane Amos is a San Francisco-based actress, improv artist, and comedian who is known as The Pine Sol Lady for having starred in their national commercials for over 20 years. She has appeared in numerous films including Nine Months, Copycat, Angels in the Outfield, EDTV, Twisted, and Woody Allen's Blue Jasmine. Diane was a semi-finalist in Star Search, has been on A& E's Evening at The Improv, Lifetime's Girls' Night Out, and Comedy Central's Women Aloud. She has also been a winner on the game shows: Wheel of Fortune, $25,000 Pyramid, and Super Password. She was raised in SF by two lesbian mothers and attended Washington High School in the Richmond District, where took an improvisational comedy class...and the rest is history.
8pm to 11pm, Freight & Salvage Coffeehouse, 2020 Addison Street, Berkeley
For thirty years, Michael Rose has been recording and performing his brand of militant, hardcore Jamaican music to the delight of reggae fans around the world. As a solo artist, with Black Uhuru, and back as a solo artist, the "Ruff" Rose has achieved great success throughout his career, even as different Jamaican musical styles have phased in and out of popularity.
Perhaps the highest profile recognition came in 1984, when Michael Rose and the other Black Uhuru members (Duckie Simpson, Puma Jones, Sly Dunbar, and Robbie Shakespeare) won reggae's first Grammy award for the album, Anthem. But the story doesn't begin with Black Uhuru. In 1976, Michael Rose was already a seasoned performer, having honed his skills by performing on Jamaica's hotel circuit. When an early incarnation of Black Uhuru (Ducky Simpson and Errol Nelson) approached Michael to join the group, he already had several solo singles to his credit. These include the original "Guess Who's Coming To Dinner" and "Clap the Barber," both recorded for producer Niney The Observer, and "Running Around" for Winston Campbell.
Black Uhuru's first full length was released in 1977 and called Love Crisis. It was produced by King Jammy (then Prince Jammy), and the big hit of the album was "I Love King Selassie." But it was not until the Showcase album was released in 1980-with a new lineup of Michael Rose, Duckie Simpson, and Puma Jones-that Black Uhuru reached their creative peak. Heartbeat reissued the set on CD (Guess Who's Coming To Dinner, HB 18), which includes the massive 12" singles "Shine Eye Gal," "General Penitentiary," "Plastic Smile," and of course, "Guess Who's Coming To Dinner." At the forefront of the recordings and live shows was the charismatic Michael Rose, who had incredible stage presence and a vocal style all his own. So popular was his trademark sound that singers like Don Carlos, Junior Reid, Yami Bolo , and others embraced it as the "Waterhouse" sound.
Throughout the first half of the 1980s, Black Uhuru continued their success with albums on Island Records-Sinsemilla, Red, Chill Out, and Anthem, along with compilations, dub albums, and live albums. They became the best-known reggae act since Bob Marley, and won the first reggae Grammy for Anthem in 1984. Even today, Island continues to capitalize on the group's success by re-compiling and re-releasing the group's Island years material.
With lead singer Michael Rose seemingly at the top of his game, he parted ways with Black Uhuru, with the intention of redefining his musical direction as a solo artist. In the early 1990s, Michael Rose suddenly appeared on the scene with new material including Jamaican singles produced by Sly & Robbie ("Monkey Business," "Visit Them," "One a We Two a We"), and three albums (Proud, Bonanza, and King of General) released in Japan.
As a solo artist, Michael regularly tours the U.S. and Europe, and has maintained his Jamaican fan base with hit singles on the island and abroad. He is a modern roots singer, and fits perfectly into today's scene. With a glorious past and a wide-open future, Michael Rose is truly a reggae superstar.
Doors at at 8:30pm / Show at 9pm
Tickets are $25 Advance / $30 Day of Show
Buy Tickets Here
9pm to 11:59pm, Ashkenaz Music & Dance Community Center, 1317 San Pablo Ave, Berkeley
R&B ONLY has exploded as the largest celebration of R&B music across the country and we're excited to bring it back to the Bay Area for a night you won't forget!
Join Dauché and Jabari on the 2018 R&B ONLY tour!
R&B ONLY always sells out in advance. Act fast to get Presale tickets before the price increases, at this price tickets won't last long!
9:30pm to 11:30pm, The UC Theatre Taube Family Music Hall, 2036 University Avenue, near Downtown Berkeley BART, Berkeley, CA, 94704