Apr 25, 4:45am to 7:45am, The Cheeseboard Pizza, 1512 Shattuck Ave, Berkeley
Boards Bring your little ones to Pegasus on Solano for a fun, interactive, and educational morning. Imagination Flannel Boards will be on hand to share stories and songs that spark your children's imagination. They will engage with the storyteller through singing, repetition, and movement. They will cheer when the ducklings find their mother and laugh when the Old Lady swallows a cow! Every 4th of the month at Pegasus Books Solano.
Apr 25, 10:30am to 11:30am, Pegasus Books Solano 1855 Solano Ave, Berkeley
Apr 25, 6pm to 9pm, Caffe on San Pablo, 2500 San Pablo Ave, Berkeley
Award-winning filmmaker and New York Times-bestselling author Lucy Cooke shares her fascinating new book, The Truth about Animals: Stoned Sloths, Lovelorn Hippos, and Other Tales from the Wild Side of Wildlife.
Humans have gone to the Moon and discovered the Higgs boson, but when it comes to understanding animals, we've still got a long way to go. Whether we're seeing a viral video of romping baby pandas or a picture of penguins "holding hands," it's hard for us not to project our own values--innocence, fidelity, temperance, hard work--onto animals. So you've probably never considered if moose get drunk, penguins cheat on their mates, or worker ants lay about. They do--and that's just for starters. In The Truth About Animals, Lucy Cooke takes us on a worldwide journey to meet everyone from a Colombian hippo castrator to a Chinese panda porn peddler, all to lay bare the secret--and often hilarious--habits of the animal kingdom. Charming and at times downright weird, this modern bestiary is perfect for anyone who has ever suspected that virtue might be unnatural.
Apr 25, 7pm to 8pm, Books Inc. 1491 Shattuck Avenue Berkeley
The Actual Trio is a vehicle for the compositions of iconoclastic Bay Area guitarist John Schott (Junk Genius, T.J. Kirk). Bassist Dan Seamans (New Klezmer Trio, Lost Trio), and drummer John Hanes (Henry Kaiser, Victor Krummenacher) providing the foundation for Schott's adventurous-but-accessible compositions, marrying deep pockets and joyful swing to wayward harmonies and spontaneous excursions.
Ranging from joyful tributes to Sonny Rollins, Lee Konitz and the Golden State Warriors to an anguished response to the 2016 election, the Bay Area's Actual Trio's recent release "Act II" solidifies and deepens their singular identity. As with their Tzadik debut, the new album was produced by Hans Wendl (whose production credits include Don Byron, Charlie Haden, Ravi Shankar and Bill Frisell) and recorded at Berkeley's legendary Fantasy Studios.
About the Actual Trio, John writes: "I think trios thrive on independence and improvised conversation, so Dan, John and I always prioritize being in the moment and making it new. But we start from my compositions, which can get quite involved. My touchstones for this trio are Ellington in trio settings, Monk, Ahmad Jamal, and Horace Silver, while at the same time acknowledging that I play an electric guitar, not a piano. There is a much deeper tradition in Jazz of piano trios rather than guitar trios. The way they orchestrated their compositions, each instrument playing parts, each group having its own distinctive groove, placing the beat just so, voicing chords just so. The directness, the concision, the simplicity, and the pride of rhythm sections." Fans who have followed Schott's work in the groups T.J. Kirk, Junk Genius, and in projects by John Zorn, Tom Waits and Steven Bernstein will recognize the guitarist's personal alchemy of blues, jazz, funk, and experimental improv.
Apr 25, 7:30pm to 9:30pm, Rendon Hall/Fiddler Annex @ California Jazz Conservatory 2040 Addison Street, Berkeley
RESCHEDULED FROM FEB 7 DUE TO ILLNESS KPFA Radio 94.1FM presents Wednesday, April 25, 7:30 PM St. John's Presbyterian Church, 2727 College Avenue, Berkeley Advance tickets: $12 : brownpapertickets.com :: T: 800-838-3006 or Books Inc/Berkeley, Pegasus (3 sites), Moe's, Walden Pond Bookstore, Mrs. Dalloway's. East Bay Books $15 door, wheelchair access "She meticulously and ... Continued
Apr 25, 7:30pm to 8:30pm, St. John's Presbyterian Church, 2727 College Avenue, Berkeley.
Book launch for Professor Richard A. Walker's Pictures of a Gone City: Tech and the Dark Side of Prosperity in the San Francisco Bay Area.
The San Francisco Bay Area is currently the jewel in the crown of capitalism-the tech capital of the world and a gusher of wealth from the Silicon Gold Rush. It has been generating jobs, spawning new innovation, and spreading ideas that are changing lives everywhere. It boasts of being the Left Coast, the Greenest City, and the best place for workers in the USA. So what could be wrong? It may seem that the Bay Area has the best of it in Trump's America, but there is a dark side of success: overheated bubbles and spectacular crashes; exploding inequality and millions of underpaid workers; a boiling housing crisis, mass displacement, and severe environmental damage; a delusional tech elite and complicity with the worst in American politics.
This sweeping account of the Bay Area in the age of the tech boom covers many bases. It begins with the phenomenal concentration of IT in Greater Silicon Valley, the fabulous economic growth of the bay region and the unbelievable wealth piling up for the 1% and high incomes of Upper Classes-in contrast to the fate of the working class and people of color earning poverty wages and struggling to keep their heads above water. The middle chapters survey the urban scene, including the greatest housing bubble in the United States, a metropolis exploding in every direction, and a geography turned inside out. Lastly, it hits the environmental impact of the boom, the fantastical ideology of TechWorld, and the political implications of the tech-led transformation of the bay region.
Richard A. Walker is professor emeritus of geography at the University of California, Berkeley, where he taught from 1975 to 2012. Walker has written on a diverse range of topics in economic, urban, and environmental geography, with scores of published articles to his credit. He is coauthor of The Capitalist Imperative (1989) and The New Social Economy (1992) and has written extensively on California, including The Conquest of Bread(2004), The Country in the City (2007) and The Atlas of California (2013).
Walker is currently director of the Living New Deal Project, whose purpose is to inventory all New Deal public works sites in the United States and recover the lost memory of government investment for the good of all. Walker now splits time between Berkeley and Burgundy.
"San Francisco has battened from its birth on instant wealth, high tech weaponry, and global commerce, and the present age is little different. Gold, silver, and sleek iPhones-they all glitter in the California sun and are at least as magnetic as the city's spectacular setting, benign climate, and laissez-faire lifestyles. The cast of characters changes, but the hustlers and thought-shapers eternally reign over the city and its hinterland, while in their wake they leave a ruined landscape of exorbitant housing, suburban sprawl, traffic paralysis, and delusional ideas about a market free enough to rob the majority of their freedom. Read all about it here, and weep." -Gray Brechin, author of Imperial San Francisco: Urban Power, Earthly Ruin
"Too many studies of cities dwell on their peculiarities; this fascinating book balances the dramatic story of the Bay Area against a profound understanding of urbanization. It eschews a descriptive narrative in favor of hard-hitting critical analysis. The book is not only about the inherently contradictory development of the San Francisco region, but also about where it stands in relation to the rest of the United States, even the world and why it matters so much. No one but Richard Walker combines such an intimate knowledge one city with the theoretical insights necessary to make sense of it." -Kevin Cox, author of The Politics of Urban and Regional Development and the American Exception
"Debunking the Horatio Alger promotional blather of self-flattering tech moguls, the real Bay Area comes into view, based on nurses and teachers, drivers and clerks, homeless and the desperate. Real estate bubbles have given way to tech bubbles which have given way to housing bubbles, and now have given way to a chimerical prosperity that is as fragile as any of the prior ones." -Chris Carlsson, San Francisco historian and cofounder of Critical Mass
"Walker has given us a brilliantly accessible and fact-laden political economy of the San Francisco Bay Area-America's richest and fastest changing metropolis. Pictures of a Gone City explains both the miracle of Silicon Valley and the heavy price, in growing inequality, unaffordability, and environmental impact, that the Bay Area is paying for it." -Wendy Brown, author of Undoing the Demos: Neoliberalism's Stealth Revolution
"With Pictures of a Gone City, California's greatest geographer tells us how the Bay Area has become the global center of hi-tech capitalism. Drawing on a lifetime of research, Richard Walker dismantles the mythology of the New Economy, placing its creativity in a long history of power, work, and struggles for justice." -Jason W. Moore, author of Capitalism in the Web of Life
Apr 25, 7:30pm to 8:30pm, Pegasus Books Downtown 2349 Shattuck Ave Berkeley
Making their Jup debut, Founding Fathers Trio explore the intersections of jazz, soul and afro-latin traditions. Featuring Gary Johnson on bass, Cyril Guiraud on alto and tenor saxes, and Vincent De Jesus on drums and afro-latin percussion.
Apr 25, 8pm to 11pm, Jupiter, 2181 Shattuck Ave, Berkeley
A tradition started back in the 20th century, Ashkenaz's Grateful Dead Night is always evolving, reaching new heights since Stu Allen & Mars Hotel launched a weekly residency in late 2011. Led by acclaimed guitarist-singer Allen (of Phil Lesh & Friends, Melvin Seals & JGB, Ghosts of Electricity), a revolving cast of incredibly talented musicians inhabits Mars Hotel, drawing from the Grateful Dead's vast catalog to delight Deadheads and dancers of all generations. A Mars Hotel show is always an energetic evening of good vibes, good music, and good community.
When it became apparent that Jerry Garcia had played his final show in 1995, Stu Allen began working to keep Garcia's music, sound, and spirit alive in the concert setting. He regularly works with Phil Lesh and has also played sets with Bob Weir and Bill Kreutzmann. Allen is perhaps most known for fronting Melvin Seals' tribute to the Jerry Garcia Band from 2004 to 2011. He received more national acclaim in 2010 when he toured with Dark Star Orchestra. Allen shares the Grateful Dead's commitment to making each performance a unique event, from preparation to execution. He will perform multiple shows before playing the same song twice, and even then, that song will not be realized in quite the same way.
Mars Hotel takes this idea a step further by presenting a new band at each performance. Drawing from the rich music scene of the Bay Area, Allen has assembled a broad and ever-rotating group of musicians that makes each concert a once-only experience. As far as Grateful Dead tribute bands go, this is a concept that has never been done before.
Apr 25, 8pm to 11:59pm, Ashkenaz Music & Dance Community Center, 1317 San Pablo Ave, Berkeley
Los Lonely Boys
The story of how the Garza brothers - vocalist/guitarist Henry, bassist/vocalist Jojo, and drummer/ vocalist Ringo - rode their bluesy "Texican rock" sound from San Angelo, Texas, to worldwide fame is one of rock's great Cinderella tales. Through the strength of their family bond, they persevered through serious injuries and tragic loss. That same strength keeps them moving forward today. "We stick together," says Jojo, "and we're trying to pass on that feeling of brotherhood, of familia, in all the music we make."
Like many singer-songwriters, Lisa Morales started penning tunes as a way to express her emotions addressing the complex landscape of relationships through music and verse. Her perspective now is that of a woman who's gone through many storms and witnessed their sometimes-beautiful aftermaths as well.
With Luna Negra and the Daughter of the Sun, Morales sought to reach even more deeply into her soul. Drawing from a creative palette informed by the rhythms, colors and flavors of the Southwest - from the painted-desert skies of her native Tucson, Arizona, where she and cousin Linda Ronstadt grew up, to the sea-salted air of Houston, where she moved at 18, and the history-filled city of San Antonio, where she now lives - she's crafted an album of maturity, sensitivity and strength. On each of its 11 tracks - all but one of which were written or co-written by Morales - she confirms that she is a woman in touch with her emotions and inner power. Lyrics, sung in English, Spanish and Spanglish, also convey the promise of new beginnings.
Apr 25, 8pm to 10pm, Freight & Salvage Coffeehouse, 2020 Addison Street, Berkeley, CA, 94704